Origins of Freemasonry

It is always understood that Freemasons have a secret which they carefully conceal; but from everything that can be collected from their own accounts of Masonry, their real secret is no other than their origin, which but few of them understand; and those who do, envelop it in mystery.

The Society of Masons are distinguished into three classes or degrees. 1st. The Entered Apprentice. 2d. The Fellow Craft. 3d. The Master Mason.

The Entered Apprentice knows but little more of Masonry than the use of signs and tokens, and certain steps and words by which Masons can recognize each other without being discovered by a person who is not a Mason. The Fellow Craft is not much better instructed in Masonry, than the Entered Apprentice. It is only in the Master Mason's Lodge, that whatever knowledge remains of the origin of Masonry is preserved and concealed.

In 1730, Samuel Pritchard, member of a constituted lodge in England, published a treatise entitled "Masonry Dissected"; and made oath before the Lord Mayor of London that it was a true copy. "Samuel Pritchard maketh oath that the copy hereunto annexed is a true and genuine copy of every particular." In his work he has given the catechism or examination, in question and answer, of the Apprentices, the Fellow Craft, and the Master Mason. There was no difficulty in doing this, as it is mere form.

In his introduction he says, "the original institution of Masonry consisted in the foundation of the liberal arts and sciences, but more especially in geometry, for at the building of the tower of Babel, the art and mystery of Masonry was first introduced, and from thence handed down by Euclid, a worthy and excellent mathematician of the Egyptians; and he communicated it to Hiram, the Master Mason concerned in building Solomon's Temple in Jerusalem."

Besides the absurdity of deriving Masonry from the building of Babel, where, according to the story, the confusion of languages prevented the builders understanding each other, and consequently of communicating any knowledge they had, there is a glaring contradiction in point of chronology in the account he gives.

Solomon's Temple was built and dedicated 1,004 years before the Christian era; and Euclid, as may be seen in the tables of chronology, lived 277 years before the same era. It was therefore impossible that Euclid could communicate anything to Hiram, since Euclid did not live till seven hundred years after the time of Hiram.

In 1783, Captain George Smith, inspector of the Royal Artillery Academy at Woolwich, in England, and Provincial Grand Master of Masonry for the County of Kent, published a treatise entitled, "The Use and Abuse of Freemasonry."

In his chapter of the antiquity of Masonry, he makes it to be coeval with creation, "when," says he, "the sovereign architect raised on Masonic principles the beauteous globe, and commanded the master science, geometry, to lay the planetary world, and to regulate by its laws the whole stupendous system in just, unerring proportion, rolling round the central sun.

"But," continues he, "I am not at liberty publicly to undraw the curtain, and openly to descant on this head; it is sacred, and ever will remain so; those who are honored with the trust will not reveal it, and those who are ignorant of it cannot betray it."

By this last part of the phrase, Smith means the two inferior classes, the Fellow Craft and the Entered Apprentice, for he says in the next page of his work, "It is not every one that is barely initiated into Freemasonry that is entrusted with all the mysteries thereto belonging; they are not attainable as things of course, nor by every capacity."

The learned, but unfortunate Doctor Dodd, Grand Chaplain of Masonry, in his oration at the dedication of Freemason's Hall, London, traces Masonry through a variety of stages. "Masons," says he, "are well informed from their own private and interior records that the building of Solomon's Temple is an important era, from whence they derive many mysteries of their art.

"Now," says he, "be it remembered that this great event took place above one thousand years before the Christian era, and consequently more than a century before Homer, the first of the Grecian poets, wrote; and about five centuries before Pythagoras brought from the East his sublime system of truly Masonic instruction to illuminate our western world. But, remote as this period is, we date not from thence the commencement of our art. For though it might owe to the wise and glorious King of Israel some of its many mystic forms and hieroglyphic ceremonies, yet certainly the art itself is coeval with man, the great subject of it.

"We trace," continues he, "its footsteps in the most distant, the most remote ages and nations of the world. We find it among the first and most celebrated civilizers of the East. We deduce it regularly from the first astronomers on the plains of Chaldea, to the wise and mystic kings and priests of Egypt, the sages of Greece, and the philosophers of Rome."